A View from the Bridge by Arthur Miller Essay

I am going to look at Arthur Miller’s play; set in the 1950’s when social and cultural ideas were very different from today. There was often immigration to America especially from Italy as there was a lot of unemployment and poverty there. People immigrated to America from Italy due to there being more employment opportunities and a better quality of life there; they hoped to earn money to send back to their family still in Italy. The people that organised their immigration would find them jobs so there was a high chance of them being employed and being able to support themselves and their family. In Italian society people tended to mind their own business and keep to themselves, although the honour of the family name was very important. Family structures and connections were also very important. Families would normally put their close family first before anything else, then their wider family and then their friends. This meant that if a member or members of their family were immigrating, they would do as much as possible to help them and take them in. Eddie’s family were like this as they took in Marco and Rodolpho, their wider family, who were immigrating to America and looked after them. By this scene, Catherine and Rodolpho have already planned to get married and Eddie has decided he doesn’t want them to. He has suggested that Rodolpho only wants to marry Catherine so he can get an American passport and implies that Rodolpho is gay. He raises objections and, although Catherine trusts Eddie, she doesn’t know whose side she should be on. This makes the audience wonder for themselves. They don’t know who they should be trusting and whether Rodolpho is gay or just wants to marry Catherine so he can get an American passport. All this time the phone box is softy lit, like a dark cloud that is always hanging over the play, because it is an option that Eddie could take and the audience wonder whether at some point he will. This creates dramatic suspense because the audience are not sure what is going to happen but they also have an idea that the phone box will take a big part in the play. Act two starts with the lighting focused on Alfieri, illuminating him as he tells the story to the audience. He is setting the scene for act two referring to trade practises that are going on at that time: â€Å"a case of Scotch whiskey slipped from a net while being unloaded – as a case of Scotch whisky is inclined to do on the twenty-third of December on Pier Forty-one’. He then goes on to explain that Catherine and Rodolpho are alone together for the first time. This causes the audience to feel suspense because Alfieri has used dramatic irony so they anticipate that something will happen between them but they don’t know what. The lighting then rises on Catherine so the focus is now on her. Rodolpho is watching her, as the audience are, showing that he enjoys being in close proximity to her. They start to talk and, although the talk starts normally, it seems to get more dramatic as it goes along. At the beginning of the conversation the audience and Rodolpho can see that Catherine is bothered about something and we want to know what she is worried about. From the text you can see she is feeling insecure: ‘She looks at him. She seems withdrawn’. Catherine starts to test Rodolpho about whether he only wants to marry her to get an American pasport, which causes the audience to feel dramatic tension. At first Rodolpho takes it as a joke but then begins to see Catherine is being serious and he becomes confused and worried: ‘Rodolpho [his smile vanishing]: When? Catherine: Well†¦ when we get married. Rodolpho [astonished]: You want to be an Italian?’ Through this part of the conversation Catherine and Rodolpho are both still until Rodolpho crosses to the rocker. This not only causes tension because of the sudden movement on stage but also because the rocker is the chair that Eddie sits in as head of the family. Rodolpho then starts talking to Catherine seriously and he becomes exasperated: ‘There’s nothing! Nothing, nothing, nothing. Now tell me what you’re talking about.’ This shows he is confused and bothered by what Catherine is saying and the tension is rising. He repeats ‘nothing, nothing, nothing’ showing emphasis and his Italian way of speaking. As this conversation continues the characters are developing and you can see them at different emotional levels. At this point there is a slight awkward pause as if the characters don’t know what to do or say and the audience feel tension because they don’t know what is going to happen next. It then becomes more intimate as Rodolpho steps closer to Catherine and encourages her to marry him: ‘Once I am a citizen I could work anywhere and I would find better jobs and we would have a house, Catherine’. A View From the Bridge by Arthur Miller Essay In Arthur Miller’s play, â€Å"A View From The Bridge† the character of Alfieri is a very important piece of the play. He leads many different roles throughout the play, and is a very useful tool for letting the audience know what they need to do. In this essay, I will be examining the many different roles of Alfieri during the play, and examining what the effects are of these roles on the play, the other characters and the audience. I will also be looking briefly at the background of where the play is set, and also be looking briefly at the author, Arthur Miller. Arthur Miller was born in 1915, in Manhattan, New York. In his early years his family were pretty well off, but when the economic depression hit America in 1929, him and his family lost a lot of money and security. They had to move to a much poorer area of New York called Brooklyn. When Arthur Miller eventually left school at 17, he didn’t have enough money or the right qualifications to enter University, and so he tried out a variety of jobs. His many jobs included a waiter, a lorry driver, a crooner on a local radio station and a shipping clerk. He saved all his money, and in 1934 was accepted into Michigan University. He won three awards for playwriting, but was still unemployed when he graduated four years later. During the Second World War, Miller was unable to complete military service due to an old injury he gained, and so instead did manual work at shipyards and some freelance radio scriptwriting. He enjoyed writing plays for live theatre, and his first play, â€Å"The Man Who Had All The Luck,† was first performed in 1949 at Broadway. It later went onto win the â€Å"Theatre Guild National Prize. † His next play, â€Å"All My Sons,† won the New York Drama Critics’ Circle Award. His two most successful plays, â€Å"Death Of A Salesman† and â€Å"The Crucible† soon followed. He later went onto write the play I am studying: â€Å"A View From The Bridge. † The play is set in Red Hook – a slum next to Brooklyn Bridge, New York. The neighbourhood is very rough, and everybody their looks after themselves primarily and their families. Law and Order are not welcome there, and Lawyers and Priests are generally untrusted people. The bay next to Brooklyn Bridge was a favourite place for immigrants to illegally enter the U. S. A. Between 1820 and 1920, migration to the U. S. A was one of the biggest transportation of people in human history. In those 100 years, more than four million Italians went over to live there, hoping to leave behind the poverty and bad times from where they had previously lived, which in most cases was the South of Italy and Sicily. They migrated because they believed America could offer them more opportunities (including work) than their native land ever could. However, life often wasn’t how they thought it would be. The immigrants were often so desperate for work that employers exploited them, by paying them the bare minimum they could. The jobs themselves were all hard manual labour, which would help America to increase its wealth and power. The immigrants found themselves living in the worst and cheapest housing around, but still thought they were better off in America than they would have been back in Italy or Sicily. Indeed, many Americans distrusted Italians, and believed them to be dangerous and violent. It is this idea of immigrants illegally entering the U. S. A that provides the plot for â€Å"A View From The Bridge. † The play is based around Eddie Carbone, a longshoreman, his wife Beatrice, and Eddie’s niece, Catherine. Eddie is very overly protective of Catherine, and doesn’t really want to let her grow up. Beatrice’s cousins, Marco and Rodolpho, have just entered the U. S. A illegally from Sicily. Eddie and Beatrice agree to hide the cousins in their house. Rodolpho and Catherine become very good friends. Eddie becomes very suspicious of Rodolpho – he accuses him of being gay and only wanting to marry Catherine so he can be a legal citizen of the U.S. A. Eddie tries to warn Catherine of his beliefs about Rodolpho, but she refuses to believe a word of it. Beatrice meanwhile, wants Catherine to grow up and so encourages her to marry Rodolpho. Eddie becomes more and more jealous and angry about the amount of time Catherine and Rodolpho spend together. He visits the local lawyer, Alfieri, and asks him if there is any way he can get rid of Rodolpho legally. Alfieri informs him that there is nothing he can do, and that he should just let Catherine go. The situation starts to grow worse and worse. One night, Eddie comes home drunk. He desperately tries once more to split up Catherine and Rodolpho, but he once again fails. After kissing Catherine and then Rodolpho, Eddie goes to visit Alfieri again. Alfieri once again advises Eddie to just let go of Catherine, but Eddie can’t do it. Instead, he calls the Immigration Bureau and reports Marco and Rodolpho’s illegal entry to the U. S. A. The Immigration Bureau come and arrest Marco and Rodolpho, and after a big fight in the street, Marco spits in Eddie’s face (a huge insult). Alfieri pays bail for the two cousins and then arranges the wedding of Catherine and Rodolpho for the following day. Eddie is furious that Marco spat in his face, and so is desperate for revenge. Marco returns to the house angry for his own revenge, when Eddie turns a knife on Marco. Marco manages to turn the knife around and stab Eddie- who then dies of his injuries. However, it is the character of Alfieri that I will now be focusing on. Alfieri is the first character we meet in the play, which therefore means that everything he says must capture the attention of the audience immediately. In this first opening speech of his, he acts like a special kind of narrator; a character who is filling us in on a brief background of the setting, and setting the scene for the rest of the play. He appears at first walking along the road outside Eddie’s house, which is where the majority of the play is set. He informs the audience about the neighbourhood where the play is set, and tells them that this particular neighbourhood has no place for law and order: â€Å"A lawyer means the law, and in Sicily, from where their fathers came, the law has not been a friendly idea since the Greeks were beaten. â€Å" â€Å"A View From the Bridge† by Arthur Miller Essay Wikipedia says honour is the concept of a direct relation between one’s virtues (or â€Å"values†) and their status within society and that justice is the ideal, morally correct state of things and persons. Honour and justice are in fact the two main issues surrounding Arthur Millers A View from the Bridge. We can see these two elements right at the start of the play, with the story of Vinny Bolzano: the boy who betrayed his family and lost his honour within it. Vinny is in fact the perfect example of the connection between justice and love:†The family had an uncle that they were hidin’ in the house, and he snitched to the Immigration [] he had five brothers and the old father. And they grabbed him in the kitchen and pulled him down the stairs – three flights his head was bouncin’ like a coconut. And they spit on him in the street, his own father and his brothers. The whole neighbourhood was crying.† (p.13-15)The importance of honour in this play prevails the law, creating a connection with respect: to be honourable is to be respected. If you do anything dishonourable, you lose respect. That is why Marco and Eddie are so keen to protect their names and reach a ‘just’ conclusion. Codes of honour bind families and the whole neighbourhood with a sense of community. Everyone should look out for one another, to betray someone is the most dishonourable action imaginable. The next part where we see clear evidence of the importance of honour in the Red Hook community is when Eddie tells Beatrice, â€Å"It’s an honour, B. I mean it.†(p..) when discussing the imminent arrival of the cousins in America. Here Eddie is saying he is honoured of letting Beatrices cousins sleep in his house because he knows they would do the same to him. This is a typical immigrant feeling because here Eddie is probably remembering when he too had come to America. Also, already from this point in the story we can see that his feelings for his Italian traditions overcome the American Law because even if Eddie knows the consequences of hosting two illegal immigrants in his house, he thinks about how he is honoured about it. Another evidence of honour in this play is the fact that Eddie finds it impossible to admit his love for Catherine is because he knows how dishonourable it is:ALFIERI: She wants to get married, Eddie. She cant marry you, can she?EDDIE: What are you talkin about, marry me! I dont know what the hell youre talking about!Because of how horrible his feelings seem to him are and how he will be dishonoured by them, he cannot accept them. He cannot accept them because it is not morally and socially correct to fall in love with your niece so this gives us an idea of injustice, of the unjust world we live in, where what Eddie has done it is not acceptable. Alfieri warns Eddie that he will lose the respect of the neighbourhood if he betrays the brothers. â€Å"You won’t have a friend in the world, Eddie!†(p.49). It is significant that a lawyer (who we would expect to follow the law) is encouraging Eddie to do something illegal by continuing to keep the brothers hidden, obviously against his own interest. This, again, even in Alfieri, shows us how honour prevails to the law: Eddie will lose his honour if he reports Rodolfo and Marco to the immigration authorities. Marco believes the only honourable course is to punish Eddie when Eddie betrayed the brothers. Alfieri tries to persuade him otherwise: â€Å"To promise not to kill is not dishonourable†(p.59), but Marcos ignorance towards the American law and his sentiments of honour vanquish any fear about breaking the promise he makes to Alfieri. In fact, Marco had given Alfieri his word that he would not harm Eddie, but does so clearly, showing once again that honour is more important than breaking the law. Here, the theme of justice rises once more: Marco finds it wrongful that Eddie can escape punishment and he cannot, making his urge for avenge even stronger. Eddie, however, blindly refuses to believe that he has done anything wrong. He desperately wants to get back his good name after Marco’s accusations caused the neighbourhood to turn away from him: Marco’s got my name – and you run tell him, kid, that he’s gonna give it back to me in front of this neighbourhood, or we have it out.(p.62). The problem is that Marco wants the same thing as Eddie: respect, which is once again connected to honour, they both want apologies from each other which they shall never obtain. The final scene of A View from the Bridge is where Eddie is killed by Marco. One can reflect a lifetime to understand whether this ending is just or not. What we can say is that in the end, natural justice happens. Natural because what has happened is what had to happen: if Eddie wouldnt have died he would have been dishonoured for the rest of his life, just like Vinny Bolzano. I believe his death was chosen by Miller as a simpler way of resolving his problems which would have continued if he would have survived the fight with Marco: with Eddies death, his and everyones travails died too. BIBLIOGRAPHY http://en.wikipedia.org/wiki/A_View_from_the_Bridgehttp://www.sparknotes.com/drama/viewbridge/ http://www.eriding.net/amoore/gcse/viewfromthebridge.htm http://www.bbc.co.uk/schools/gcsebitesize/english_literature/dramaviewbridge/ Understanding A View From The Bridge @media print{.pmpro_a-print{display:none;position:absolute;left:-9999px}}A View From The Bridge: Literature Guides - A Research Guide for Students window._wpemojiSettings = {"baseUrl":"https:\/\/s.w.org\/images\/core\/emoji\/11\/72x72\/","ext":".png","svgUrl":"https:\/\/s.w.org\/images\/core\/emoji\/11\/svg\/","svgExt":".svg","source":{"concatemoji":"https:\/\/www.aresearchguide.com\/wp-includes\/js\/wp-emoji-release.min.js?ver=4.9.8"}}; !function(a,b,c){function d(a,b){var c=String.fromCharCode;l.clearRect(0,0,k.width,k.height),l.fillText(c.apply(this,a),0,0);var d=k.toDataURL();l.clearRect(0,0,k.width,k.height),l.fillText(c.apply(this,b),0,0);var e=k.toDataURL();return d===e}function e(a){var 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Writer This Web page has been designed to assist students to: Compare and contrast the life described in Italy and the promise of the American Dream. Understand the context of mass immigration of Italians to New York in the 1950s. 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